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  • Juggle! Rethink Work, Reclaim your Life
    Juggle! Rethink Work, Reclaim your Life
    by Ian Sanders
  • Little People in the City: The Street Art of Slinkachu (foreword by Will Self)
    Little People in the City: The Street Art of Slinkachu (foreword by Will Self)
    Boxtree
  • Animal Logic
    Animal Logic
    by Richard Barnes
  • About Looking
    About Looking
    by John Berger
  • Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    by William Isaacs
  • Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    by Dr Patricia Shaw
  • Leadership and the New Science: Discovering Order in a Chaotic World
    Leadership and the New Science: Discovering Order in a Chaotic World
    by Margaret J. Wheatley
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    On Photography
    by Susan Sontag
  • The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    by Dan Roam
  • Photography and Science (Exposures)
    Photography and Science (Exposures)
    by Kelley Wilder
  • Manufactured Landscapes [2006]
    Manufactured Landscapes [2006]
    starring Edward Burtynsky
  • Ways of Seeing: Based on the BBC Television Series
    Ways of Seeing: Based on the BBC Television Series
    by John Berger
  • Images of Organization
    Images of Organization
    by Gareth Morgan
  • The Craftsman
    The Craftsman
    by Richard Sennett
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Thursday
27Nov2008

Olimpo

A story of relationship and respect

Olimpo would recognise me as I entered the yard but never made a big deal of it.  When I approached he would gently take a step or two and then his head would bashfully sway towards me. I would rest my face on his cheek and breathe into his nostrils; he would breathe back and gently bite my face and then be sure it was me.

He was an old guy, a gentleman.  In his prime he was a top show jumper but now he was struggling to keep weight on and suffered with arthritis.  He responded well to painkillers but really that wasn’t fair and so I treated him carefully.  Over the years I fell deeply into his debt; he taught me to ride, canter and gallop.  I learned to leg yield, rein-back, shoulder-in, tempi-change and he taught me to jump.

He never let me down.  Half a ton of horse galloping towards a fence is not for the faint-hearted; riders are easily crushed in falls.  Yet when I committed myself to the jump so did he. He could have backed away or shied and I would have forgiven him; sometimes my paces into the jumps were hopeless.  But rather than let me crash to the ground he would risk aging, fragile bones by stretching further to make the fence or by sneaking in an extra step just before we left the ground.  As we landed he would blow hard and I knew my incompetence had asked a lot of him.  

It took me a while to hear him but slowly I became sensitive to his soreness.  When we began our rides I learned to walk him slowly so that he could gradually stretch muscles and tendons; I would listen to his breath and try to feel how stiff his joints had become as he had rested in his stable.  Eventually, I forgot my agenda and my requirements and just listened.  He was much more capable than I; he showed me how to judge the paces, he knew how to adjust his weight so we could land already in the turn to the next fence, he taught me about his strides and how he balanced the pair of us, and he showed me how he could defy gravity and stretch through the air.

After three years my time with Olimpo was coming to an end and I had to go.  The prospect of leaving him behind demanded all my strength.  We went for one last ride down to the beach.  The vet had given him a special injection which would relieve his arthritis for an hour or two and Olimpo became ten years younger.  We raced along the sand flying over driftwood logs, we crashed into the surf, spray mixing with my tears, then swam into the water showing off to each other before splashing back to onto the beach.  Exhausted, we rested a mile or so from the stables and I climbed down to be alongside him. 

We walked slowly up into the hills beyond the beach and I could feel the pain in my joints as the drugs faded away.  After a few more minutes I saw the mechanical digger in the distance and the vet waiting for us.  Olimpo stood beside the pit and I held his head so that he wouldn’t see a black corpse already waiting in the darkness.  I pressed my face against his cheek and softly blew onto his nostrils as the vet injected thick treacly barbiturate into his neck.  Olimpo exhaled sharply and then fell.  He was dead before he landed on his stable-mate in the bottom of the pit.  He fell with his neck twisted. I couldn’t bear to see it and climbed into the hole to lay him in a more respectful way.

Today my daughter grooms her pony. He is called Archie and she chatters to him continuously as she plaits his tail.  She is just five and the Archie is five times bigger than her.  I berate my wife; complaining that Ella is playing around Archie’s back legs, one kick and he will kill her.  Kate ignores my protest; ‘It’s OK, he will look after her.’  For a moment I struggle with her disregard for the danger but then remember that I do know what she means.

 

Reader Comments (2)

Wow, you really captured the feelings between two beings who have only each other and no language barrier between them. If we saw the rest of our earthly mates the same way...well, I digress. Your story's weighing too heavily on my emotions for me to make rational statements.

June 22, 2009 | Unregistered CommenterRick

Rick,

Thanks for your comment. It was important for me to start the photo-dialogue blog with this story. At the end of the day it's about relational quality; something that I have experienced as lacking in our workplaces and organisations. I wanted to show how an aesthetic sense of relationship can help us to learn, offer inspiration in the good times and provide strength when things aren't so good. Olimpo very gracefully demonstrated what I have since attempted to do through my work and life. It was an honour for me to share part of his life.

All the best,

Steve

June 23, 2009 | Unregistered CommenterSteve Marshall

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