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  • The Craftsman
    The Craftsman
    by Richard Sennett
  • Juggle! Rethink Work, Reclaim your Life
    Juggle! Rethink Work, Reclaim your Life
    by Ian Sanders
  • Animal Logic
    Animal Logic
    by Richard Barnes
  • About Looking
    About Looking
    by John Berger
  • Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    by William Isaacs
  • Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    by Dr Patricia Shaw
  • On Photography
    On Photography
    by Susan Sontag
  • Leadership and the New Science: Discovering Order in a Chaotic World
    Leadership and the New Science: Discovering Order in a Chaotic World
    by Margaret J. Wheatley
  • The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    by Dan Roam
  • Photography and Science (Exposures)
    Photography and Science (Exposures)
    by Kelley Wilder
  • Manufactured Landscapes [2006]
    Manufactured Landscapes [2006]
    starring Edward Burtynsky
  • Images of Organization
    Images of Organization
    by Gareth Morgan
« Why dots...? | Main | Dialogue with the land »
Tuesday
May122009

Into the matrix...

Another blast of creative energy provided by (visual) improvisation: you shoot a picture, I work on it, you talk about it, I respond, we shoot another picture, etc...

I will be working with Margaret on a joint visual (stills and video) inquiry project this summer. We've known each other for about 4 years and, over that period, I have seen her change amazingly. This portrait is a collaborative, improvisational image we made together (virtually) and hangs on her kitchen wall provoking questions and comment from visitors.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

When I asked Margaret if I could use her picture on this blog she immediately said 'Yes' and then, 'But, what will you say?'

It's an interesting response that links image and dialogue together.  Photographs have long been the final arbiter on defining the truth but not since the dawn of the Photoshop age...

I'd be interested to know what Margaret says when her kitchen guests question her about the picture and how her answers change from person to person.

I see the image as a statement that prompts fundamental questions of identity and wonder how much we can know of how we are seen and understood by others.  

And so the dialogue begins...

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