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  • The Craftsman
    The Craftsman
    by Richard Sennett
  • Juggle! Rethink Work, Reclaim your Life
    Juggle! Rethink Work, Reclaim your Life
    by Ian Sanders
  • Animal Logic
    Animal Logic
    by Richard Barnes
  • About Looking
    About Looking
    by John Berger
  • Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    by William Isaacs
  • Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    by Dr Patricia Shaw
  • On Photography
    On Photography
    by Susan Sontag
  • Leadership and the New Science: Discovering Order in a Chaotic World
    Leadership and the New Science: Discovering Order in a Chaotic World
    by Margaret J. Wheatley
  • The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    by Dan Roam
  • Photography and Science (Exposures)
    Photography and Science (Exposures)
    by Kelley Wilder
  • Manufactured Landscapes [2006]
    Manufactured Landscapes [2006]
    starring Edward Burtynsky
  • Images of Organization
    Images of Organization
    by Gareth Morgan
« Faith in scientific images | Main | Fish and Ships »
Thursday
May282009

In the hot seat

Jill and I worked on this image of her work as a consultant and facilitator.  Our picture shows a particularly tough moment where Jill was about to step into the heat of a facilitating an anxious, intensely conflicted team enduring the worst effects of the financial meltdown. Her coping strategy was to sit quietly and calmly, making journal notes before joining the group - actually she thrives in these sort of situations and brings an irrepressible energy and confidence to her work.

Her intervention took place with the exceptional levels of skill and resource that I have come to recognise in Jill.  During our follow-up conversations I have been interested in how Jill visually represents herself to clients. In fact, she uses a straight forward bio - including a simple passport style head-shot photo.  As a statement of identity, it doesn't do any justice to the expert role she takes in the 'heat of the kitchen' where she so competently operates.

The image questions for all us who offer ourselves as the primary aspect of our services: 

  • How are you seen by current and potential clients?
  • How do you really see yourself?
  • How clearly do you articulate what you do?
  • And... How coherently do you 'show up'?

Would you dare to put an image like this an a bio or business card?

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