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  • Juggle! Rethink Work, Reclaim your Life
    Juggle! Rethink Work, Reclaim your Life
    by Ian Sanders
  • Little People in the City: The Street Art of Slinkachu (foreword by Will Self)
    Little People in the City: The Street Art of Slinkachu (foreword by Will Self)
    Boxtree
  • Animal Logic
    Animal Logic
    by Richard Barnes
  • About Looking
    About Looking
    by John Berger
  • Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    by William Isaacs
  • Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    by Dr Patricia Shaw
  • Leadership and the New Science: Discovering Order in a Chaotic World
    Leadership and the New Science: Discovering Order in a Chaotic World
    by Margaret J. Wheatley
  • On Photography
    On Photography
    by Susan Sontag
  • The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    by Dan Roam
  • Photography and Science (Exposures)
    Photography and Science (Exposures)
    by Kelley Wilder
  • Manufactured Landscapes [2006]
    Manufactured Landscapes [2006]
    starring Edward Burtynsky
  • Ways of Seeing: Based on the BBC Television Series
    Ways of Seeing: Based on the BBC Television Series
    by John Berger
  • Images of Organization
    Images of Organization
    by Gareth Morgan
  • The Craftsman
    The Craftsman
    by Richard Sennett
« Dialogue with the land | Main | Beating »
Tuesday
05May2009

Not like that anymore...

Seeing ourselves through other's eyes, whether as leaders, followers or colleagues can be just the thing to give us a push along a developmental path.  I use the Ghost Dad picture, stuck to the wall beside me as I write, to ensure that I play a full part in family life.  It's not an image that I particularly like but it does the job.  It's a visual marker for my life.

Last year I took some pictures of my friend Brian as he told me about how he was trying to ensure some suburban grassland would remain available for community use.  As we walked across fields he told me about the conflicted interests in play, and coincidentally, about the struggle to manage his increasingly successful consultancy company.  I've known Brian for a while now, and it felt like this might be the bigger story.  After taking a couple of hundred pictures walking across wet grass, the portrait I made for him focusses on an embattled Brian standing in a rainy car park.

I knew that Brian didn't particularly like the image (though a couple of his colleagues evidently did) and was a bit nervous when we next met.  Recalling that conversation he began...

"The more I have it the more I like it, but if you'd have asked me what I was expecting it wasn't this...  ...but that's definitely where I was...  ...it captured something."

We were interrupted by phone calls and an insistent waitress serving coffee then laughed at how frazzled he was when I had photographed him.  I asked how he was now:

"Brilliant... not like THAT!  That person has had his day."

Another marker.

 

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