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  • Juggle! Rethink Work, Reclaim your Life
    Juggle! Rethink Work, Reclaim your Life
    by Ian Sanders
  • Little People in the City: The Street Art of Slinkachu (foreword by Will Self)
    Little People in the City: The Street Art of Slinkachu (foreword by Will Self)
    Boxtree
  • Animal Logic
    Animal Logic
    by Richard Barnes
  • About Looking
    About Looking
    by John Berger
  • Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    by William Isaacs
  • Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    by Dr Patricia Shaw
  • Leadership and the New Science: Discovering Order in a Chaotic World
    Leadership and the New Science: Discovering Order in a Chaotic World
    by Margaret J. Wheatley
  • On Photography
    On Photography
    by Susan Sontag
  • The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    by Dan Roam
  • Photography and Science (Exposures)
    Photography and Science (Exposures)
    by Kelley Wilder
  • Manufactured Landscapes [2006]
    Manufactured Landscapes [2006]
    starring Edward Burtynsky
  • Ways of Seeing: Based on the BBC Television Series
    Ways of Seeing: Based on the BBC Television Series
    by John Berger
  • Images of Organization
    Images of Organization
    by Gareth Morgan
  • The Craftsman
    The Craftsman
    by Richard Sennett
« No such thing as a bad image | Main | I am Neda »
Thursday
25Jun2009

Holding Complexity

It has taken me a while to track down a copy of Dan Roam's 'The Back of the Napkin' which is a great source book for all kinds visual thinking and facilitation.  

Dan wrestles with the complexity of some of the concepts he tries to represent;

"The opposite of "simple" is not "complex," but rather "elaborate."  He goes on to say, ''One of the most important virtues of visual thinking is its ability to clarify things so that the complex can be better understood, but that does not mean that all good thinking is about simplification. The goal of real visual thinking is to make the complex understandable by making it visible - not by making it simple."

Following Dan's advice, today's improvised image depicts my PhD colleague Ghislaine sensitively holding complexity during her facilitation of a group involved in a change programme within a large corporate.  

Ghislaine's attention to the group is intense - and she is also aware of the complex, competing commitments, relationships and ambiguities that this kind of work exposes.  While the participants wrestle with the change, other members of the organisation resist and try to sabotage the initiative.  

It's a simple image to depict how Ghislaine is caught between the turbulent, opposing forces yet still works to delicately support her group.

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