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  • The Craftsman
    The Craftsman
    by Richard Sennett
  • Juggle! Rethink Work, Reclaim your Life
    Juggle! Rethink Work, Reclaim your Life
    by Ian Sanders
  • Animal Logic
    Animal Logic
    by Richard Barnes
  • About Looking
    About Looking
    by John Berger
  • Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    by William Isaacs
  • Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    by Dr Patricia Shaw
  • On Photography
    On Photography
    by Susan Sontag
  • Leadership and the New Science: Discovering Order in a Chaotic World
    Leadership and the New Science: Discovering Order in a Chaotic World
    by Margaret J. Wheatley
  • The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    by Dan Roam
  • Photography and Science (Exposures)
    Photography and Science (Exposures)
    by Kelley Wilder
  • Manufactured Landscapes [2006]
    Manufactured Landscapes [2006]
    starring Edward Burtynsky
  • Images of Organization
    Images of Organization
    by Gareth Morgan
« Disturbing spaces... | Main | The parts and the wholes... »
Thursday
Sep102009

Why does visual art help us develop meaning?

I'm grateful to a LinkedIn conversation in the 'Structured Visual Thinking' group for pointing me towards Tom Wujec and this TED video which describes why visual art, graphics and illustration develop meaning.

 

Tom says that the brain doesn't see the world 'as it actually is' but makes meaning through mental models and a series of 'Aha' moments.

He goes on to demonstrate both low-tech and impressively high tech methods of developing a shared picture of organisational strategy. For me however, one of the key advantages of this type of process is:

"The act of collectively and collaboratively building the image transforms the collaboration.... the entire team creates a shared mental model that they can agree on and move ahead on."

Over the years, my own visual practice has grown from saying to clients, "...and I want you to DRAW it..." (cue sharp intakes of breath and lots of 'but I can't draw' excuses) to my current use of the digital technology we can all enjoy.  One thing is certain though, whatever the technology (and it could literally be lines in sand...), collective visualisation is an immensely powerful process. 

And, in a world of constantly shifting goal-posts and ever more complex processes, the ability to collaborate well is almost reward enough...

Reader Comments (2)

Have you seen the new film "500 Days of Summer"? Interesting because it combines traditional filmmaking, cutting-edge filmmaking, graphic design, art, typography ... besides being a really well written and executed film ... I liked that combining all of these different media helped the audience "see" the film and story in a way that would have been impossible if it had simply been told in the traditional filmmaking format. If it comes to London, you should check it out ...

Cheers,
Lynda

September 12, 2009 | Unregistered CommenterLynda

Hi Lynda,

Thanks for the recommendation - I will track down a copy!

Steve

September 14, 2009 | Unregistered CommenterSteve Marshall

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