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  • Juggle! Rethink Work, Reclaim your Life
    Juggle! Rethink Work, Reclaim your Life
    by Ian Sanders
  • Little People in the City: The Street Art of Slinkachu (foreword by Will Self)
    Little People in the City: The Street Art of Slinkachu (foreword by Will Self)
    Boxtree
  • Animal Logic
    Animal Logic
    by Richard Barnes
  • About Looking
    About Looking
    by John Berger
  • Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    by William Isaacs
  • Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    by Dr Patricia Shaw
  • Leadership and the New Science: Discovering Order in a Chaotic World
    Leadership and the New Science: Discovering Order in a Chaotic World
    by Margaret J. Wheatley
  • On Photography
    On Photography
    by Susan Sontag
  • The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    by Dan Roam
  • Photography and Science (Exposures)
    Photography and Science (Exposures)
    by Kelley Wilder
  • Manufactured Landscapes [2006]
    Manufactured Landscapes [2006]
    starring Edward Burtynsky
  • Ways of Seeing: Based on the BBC Television Series
    Ways of Seeing: Based on the BBC Television Series
    by John Berger
  • Images of Organization
    Images of Organization
    by Gareth Morgan
  • The Craftsman
    The Craftsman
    by Richard Sennett
« The parts and the wholes... | Main | Jezblog is 4! »
Friday
04Sep2009

Between the Images and Words

Another image from my 'Edges' series taken down by the sea.  

Today on Burn, Jan Adamski, a 22 year-old Polish born photographer, said, "It is truly complex to use images and words to express something that goes beyond any thought, feeling or sensation." I think that is my experience of working with these seascapes; the camera 'sees' something that we can't.  We intuitively know of these flows and their shapes but we don't experience or see them in this way. So the camera shows us something we know but never directly experience and probably couldn't adequately describe in words. (Well, I don't think I could...)

Composer Claude Debussey said, 'Music is the space between the notes.'

I wonder if there is a visual equivalent; a space between the image and our experience? Any ideas?

Reader Comments (6)

Music conveys audible meaning to create or recall an experience. Photos create visual meaning to create or recall an experience. The depth of experience is different for me than for someone who has never been seaside before.

For the specific context of the subject, the time-lapse adds detail that would be missing. The subject has inherent motion that is significantly relevant to the experience. As well, sound is relevant to the experience of this subject. The time lapse makes it easier to construct the recall of related sound as the image is viewed.

Such may not be the goals of a portrait.

As with all design, the answer depends on the context.

September 3, 2009 | Unregistered CommenterRotkapchen

Hi,

Thanks for your thoughts; I really like the idea of visual meaning and recalled experience. Also the concept of manipulating the image to 'add detail'. For me this is not a detail that we see but one that we experience - and might not be present in a high shutter speed shot.

Great comment - very helpful - and now I'm off to take some more photos!

Steve

September 4, 2009 | Registered CommenterSteve Marshall

You may have already seen but for other readers who are not engaged in our common conversations, of significant relevance are all the pearls to be found in "Meaning Making" http://bit.ly/AA2nc

September 4, 2009 | Unregistered CommenterRotkapchen

Thanks for pointing us towards such an excellent resource. I'm particularly taken by the phrase on the first page:

"With quality visualization techniques entirely new landscapes and terrains can be created. New worlds of meaning. Literally."

Absolutely....

September 7, 2009 | Unregistered CommenterSteve Marshall

Hello Steve, found you via Sally Lever's blog, and I'm enjoying exploring the images and other richness you have here.

This photograph is stunning, and the question you pose is interesting. I think sometimes that visual space comes back to us in memory. The writer Anne Lamott in one of her exercises encourages the student to explore memories in a visual way. To picture that scene in the playground and allow what is important to come out in one's writing. Perhaps that half-remembered figure will emerge from the background and become the most important person in your story.

September 11, 2009 | Unregistered CommenterTess

Hi Tess, Welcome!

I really enjoy Sally's blog - it gives me a moment of calm in what are otherwise fairly frantic days. Don't get me wrong - I enjoy frantic! AND... I also need the calmness - and Sally is very inspiring...

Thanks for your comment on the photograph - the questions of memory (half remembered..) fascinate me. Yes, I guess that these images are about the half-remembered/half imagined spaces...?

At the weekend I was at an excellent exhibition which used visual/audio representations of Alzheimer's disease (will post on it tomorrow) and the found it very disturbing...

I will check out Anne Lamott - thanks for the reference.

All the best,

Steve

September 14, 2009 | Unregistered CommenterSteve Marshall

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