My Work
And why...
Client Space
Search
Photo-Dialogues (linked images)

People

Edges

Thoughts

 

Resources
  • Juggle! Rethink Work, Reclaim your Life
    Juggle! Rethink Work, Reclaim your Life
    by Ian Sanders
  • Little People in the City: The Street Art of Slinkachu (foreword by Will Self)
    Little People in the City: The Street Art of Slinkachu (foreword by Will Self)
    Boxtree
  • Animal Logic
    Animal Logic
    by Richard Barnes
  • About Looking
    About Looking
    by John Berger
  • Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life
    by William Isaacs
  • Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    Changing Conversations in Organizations: A Complexity Approach to Change (Complexity & Emergence in Organizations)
    by Dr Patricia Shaw
  • Leadership and the New Science: Discovering Order in a Chaotic World
    Leadership and the New Science: Discovering Order in a Chaotic World
    by Margaret J. Wheatley
  • On Photography
    On Photography
    by Susan Sontag
  • The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    The Back of the Napkin: Solving Problems and Selling Ideas with Pictures
    by Dan Roam
  • Photography and Science (Exposures)
    Photography and Science (Exposures)
    by Kelley Wilder
  • Manufactured Landscapes [2006]
    Manufactured Landscapes [2006]
    starring Edward Burtynsky
  • Ways of Seeing: Based on the BBC Television Series
    Ways of Seeing: Based on the BBC Television Series
    by John Berger
  • Images of Organization
    Images of Organization
    by Gareth Morgan
  • The Craftsman
    The Craftsman
    by Richard Sennett
« Tom Chambers - Update | Main | Hunters: dialogue and a red coat »
Tuesday
12Jan2010

Erica McDonald - images and words (updated)

As we move into 2010 I've been wondering about how I will continue to learn and develop my craft throughout the year.  As I look for inspiration one of the photographers that I keep returning to is NYC based Erica McDonald who was published on Burn in November 2009.   

Photo-essays on Burn are always of a high standard but Erica's multimedia presentation, 'The dark light of this nothing' simply blew me away. I return to it again and again and...  

Erica says that the work is "meant as a tribute to those long term residents who have sustained the Park Slope, Brooklyn, New York neighborhood for generations and are now in an increasing minority. The old guard is losing their sense of community. A new, affluent population, drawn by Park Slope’s popularity as one of America’s best neighborhoods, is swiftly overshadowing the working class."

The presentation juxtaposes harsh urban street photography with searching formal portraits that locate our humanity and evoke enormous passion for the residents.  We see faces and memories that drift away as we watch the images change.

 

 

But for me, the surprising and magical element of Erica's show is the voices.  Heard over the haunting piano of 'Spiegel Im Spiegel' we hear the voices of the residents:

Anthony: What the hell is this? you gotta talk to this thing?

EM: It’s a microphone.

Janet: Dad, just talk about..

Anthony: What am I gonna tell? I was born over on 3rd street. And the place was beautiful at that time, we had a nice time, not too much traffic, I’m old, that’s why. We used to play stickball in the middle of the street, there was no traffic, you could play stickball. right? Today you can’t even walk in the friggin street, too many cars.

The sound locates the images; it adds a dimension that allows us to more fully experience the visuals; to more fully walk in the footsteps of Erica's subjects.  Even the most challenging photos become real people; vulnerable, concerned, uncertain, trying to get by. Just like the rest of us.

 "I know that every day... somebody staring.... look at that dude..."

When Erica agreed for me to use her work on Photo-Dialogue she mentioned that she had previously studied linguistics (and artificial intelligence...) and has an interest in learning in systems so I wonder if this is at the root of her interest in the mixture of sound and vision.

Her web site includes some  'scribbling in the dark'; records of talks and interviews with other photographers. She notes that they are, "a group of personal reflection writings on photography gatherings and slideshows as well as interviews.

Unfortunately, there is not much that directly references Erica in the scribbles and I found myself wanting to understand much more about her and the way she approaches her work. But on her site she quotes Ami Vitale's introduction to the Photojournale book Connections Across A Human Planet: "These images give us a glimpse into lives we might not otherwise see and emphasize not how different we are but rather our similarities. The intentions seem to be to get past mere headlines to try to get a truer sense of who we all are. Perhaps now, more than ever, the need to get beyond the stereotypes and dramatic images and instead allow people to tell their own stories in a humanistic way.”

I tentatively wonder if Erica is telling us just as much about her own work here.  Whatever, I will be keenly following her progress.  And have already resolved to buy a voice recorder...


Reader Comments (4)

This is my second go at commenting. I started doing something else, navigated away from Photo Dialogue and lost what I had written. Aaargh. This is going to be a long response; I will try to be as concise as possible.

Sound and vision - apart from being humanising, I think the addition of sound restores ownership to the person or community whose image is being represented. Let me try to explain.

I wrote about where I come from around the time of the G20 Summit in London last year. Here is an excerpt:

"Thinking back to my home town, which I left when young because there was no work, the best thing about it is the tight-knit community. Everybody knows everybody else. The artist Stanley Spencer was sent to Port Glasgow as an official war artist in WW2. He was so taken by the sense of community that he returned to do a series of paintings, mainly about the yards. The Resurrection At Port Glasgow has women rubbing mud off children’s faces as they all clamber out of their graves – just like my mother used to do with spit on a hankie!

Contemporary artist Mark Neville returned to do a photographic project in 2002. He says:

“The most remarkable thing I experienced during the concentrated time spent in Port Glasgow was the extremely strong sense of community. The painter Stanley Spencer … remarked on this characteristic. I felt this strong sense of community is still very much present.” "

It strikes me writing this response just how many artists have come to comment on our town and then left - Stanley Spencer (painter), Mark Neville (photographer) and Ken Loach (film maker).

The town is changing rapidly. My primary school? Gone. My secondary school in the next town? Gone. The home we were brought up in? Gone.

The town has its own unsung, unknown chronicler: Mrs Bridie Ainslie. Bridie was our babysitter when we were wee. She took her video camera and camera, and day after day recorded Woodhall and "the avenues" as they came down. I was surprised to see that Woodhall has a page on Wikipedia: http://en.wikipedia.org/wiki/Woodhall,_Port_Glasgow

A quick observation on the internet. Whereas I can easily find stuff on the artists, I cannot find Bridie's images. I know they were there. Perhaps just like the demolished houses, the web pages have been removed.

Back to the power of voice. I have a treasured bit of video from Bridie. Her voice conveys easy intimacy from a shared past and shared memories. Her sighs as she speaks reflects my own sense of - what? The bleakness of the boarded up windows of my old home as it waits for demolition speaks for itself, really. Bridie's commentary adds poignancy that still brings me to tears in a way the image alone does not.

January 12, 2010 | Unregistered CommenterAnne Marie McEwan

Steve

May I add a PS to clarify?

Erica's images are wonderful and come across as a tribute. Her addition of the voices of the people of Park Slope is inclusive and enriching.

The artists who have come to our town have also been paying tribute. The fact remains that their work is an interpretation and the community has been observed. Voice makes co-creation possible - and it is very powerful.

January 12, 2010 | Unregistered CommenterAnne Marie McEwan

Anne Marie, thanks for sticking with it! You tell a fantastic story - and I can only begin to imagine the work that Erica might do in your hometown! Our lives inevitably change and much is beyond our control but I wonder, in the case of our lost communities, whether we are as powerless as we imagine. Perhaps this is how the work of Stanley Spencer, Mark Neville and Erica pull at us... We are giving up something reassuring, special, fundamental - and it IS within our gift to do something about that...

The notion of voice in such a literal sense feels very significant. It's curious, I don't need to see the images move do have my visual receptors in full flow - but there is a massive difference between a written text and the experience of actually hearing the words. And... the technology is becoming much easier...

And... "just like my mother used to do with spit on a hankie!' Oh yes, mine too - that is probably on the verge of transgressing abuse/H&S regulation these days!

Finally - schools - I drove past my old Victorian primary school (23 kids in 2 classes). No, I'm not Victorian but you know what I mean.... It had been converted into a house. I was gutted!

January 13, 2010 | Registered CommenterSteve Marshall

Sorry about the gutting ... I've seen some of my cherished past structures morphed into the oblivion of personalitylessnes.

I got caught up in Erica's site. Read the entire "how to" with Weegee. Photographing drunks and murders was blatantly honest. Amusing in parts.

January 14, 2010 | Unregistered CommenterMarena Groll

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>